Alina Ozerova is a filmmaker and sound artist. Her audiovisual installations are often inspired by 'journey' as a narrative structure and physical experience. She works with audience participation, tactile sound, binaural recordings and non-vertical listening positions. The physicality of sound perception is in the core of her sonic practice.
sonó/curso III (for Musical Utopias)
Participatory sound installation, The Hague, 2019
The ear is a muscle
Participatory sound installation, 2019
Things I payed and did not pay for
Participatory sound performance, 2019
sonó/curso II (for ZIL / "Audiogymnastics") Participatory sound installation, Moscow, 2019
sonó/curso
Participatory sound installation, Quito, 2019
Non-vertical listening I
Workshops, Quito, Ecuador, 2019
Take me, bring me
Participatory sound installation, 2018
SuperScapes
Binaural audio installation and online store, 2016
MegaScapes
Binaural audio installation and online store, 2017
What constellation is a feathered animal?
Sound installation for speakers and motors, 2018
Think of balance as a verb
Participatory sound installation, 2018
Does the bird who flies with bats
sleep upside down? Mixed media installation, 2018
Non-vertical listening
Participatory performances for listeners, on-going
dot-and-dash
3 channel sound piece for 3 CD players, 6 min, 2017.
Bob Marley is the Name of a Bird
Performance: live soundtrack, voice, spoken word, 15 min, 2017.
During the period of 2018-2019 Alina Ozerova is supported by Werkbijdrage Jong Talent stipend of Mondriaan Fonds
